Genre fans with hefty streaming budgets are in for a treat this year. The way he talks is hilarious. Mostly eschewing the high-octane action that has been his bread and butter, Statham here gives us a classic tough guy vexed by his diminished expectations and regrets, and the whole ensemble embraces the film’s lean, mean approach. It’s a perfect plan, until, of course, everything goes wrong, and everything goes wrong in a way that is uniquely New York City.
Caine plays Charlie, a professional hood just out of jail who puts together a team to steal some gold. John Cleese’s Archie Leach sees everybody’s angles, even as he keeps leaping heart-first into the middle of the ongoing crime caper. Exceedingly, shamelessly clever, this Best Picture–winner flaunts its wittiness, whether in the form of Paul Newman and Robert Redford’s self-satisfied performances or through Marvin Hamlisch’s skipping Scott Joplin tunes. Dom Cobb (Leonardo DiCaprio) goes through hell in this movie. It’s a pulsating, fun heist film that’s based on a true story. When you close your eyes and think of The Town, your brain might first bring up images of Ben Affleck shirtless cutting to helicopter shots of downtown Boston, but the movie still has the muscular propulsion that is an Affleck directorial trademark. It’s an intriguing story of how a police line-up of criminals ends up working together on a heist-gone-wrong.
But here, the exploration of brotherly bonds and fragile romances has a rough-draft quality, while the heists have the ironic, quirky kick of a guy excited to get his shot at making a feature film.
For example, Stanley Kubrick, Quentin Tarantino, and Wes Anderson all made heist films for their debut features, yet respectively crafted, an intricately laid-out classic, a plot-hopping slow-boiler and a beyond-bizarre indie project that leans on the charisma of the Wilson brothers. With updated release dates where available.
But his good-guy attempt doesn’t quite work out, as he soon gets involved in an armed robbery. Mission accomplished: Fast Five reinvigorated the whole hoary brand and turned it into something massive, fevered and, if you could believe it, sort of cool. This was the beginning of Clooney’s successful transition from E.R.
"Die Hard" Bruce Willis in "Die Hard." By Will Leitch and Tim Grierson. The central message of Buddhism is not “Every man for himself.” And the London Underground is not a political movement.
( Log Out / Two car thief brothers, who journey to the south of France for new opportunities, wind up in the cross hairs of the local crime boss. Crazy schemes are often central to Wes Anderson’s stories, and here’s where his (and his wonderstruck characters’) dreams first took flight.
20th Century Fox Everyone loves to focus on this movie's action sequences and if it's a Christmas movie or not, but it also has a great heist element to it.
It’s more fun to watch cars being chased after a heist than watching them race each other, which, more than a billion dollars later, we all now know. After years of failing to adapt Elmore Leonard correctly, this and Jackie Brown got him exactly right … in dramatically different ways. Sonny doesn’t want any trouble. A guide to the horror-centric streaming service’s most chilling offerings.
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